The NuDunkers are discussing the new book Prodigal Christianity by David Fitch and Geoff Holsclaw. Join us for our Hangout discussion on Friday at 11 AM eastern here . If you can’t make the live discussion, don’t worry. We will share the link to the recording on YouTube.
As the church lived into its new status both legally and socially in the fourth and fifth century, the artistic presentation of Jesus began to reflect the its ascension to imperial power. This is no place more clear than in the majestic mosaics of Hagia Sophia. The basilica was built to match the grandeur of the imperial city of Constantinople. The mosaic in the large dome, called Christ the Pantocrator (Christ the Ruler of All) drew the attention of worshipers to the elevated ruler, Jesus Christ. Gilded in the richness of gold and hovering above even the mosaic images of emperors and rules, they set the Christ to be worshiped within the imperial context. Now, as the official of the empire, Jesus Christ must also be shown as the emperor, only ruling over all of creation.
In many ways, the images we present of Jesus reflect the social position of the church. By the Middle Ages the images of Jesus shifted from the grand imperial mosaics to crucifixion images- often mirroring the death so common in the ages of the Black Plague. Even prior to the Christendom shift of the fourth century, the sketches in the catacombs presented Jesus as the rising savior, standing at the mouth of a whale (echoing the imagery of the book of Jonah) or on the bow of a boat (as in the gospel narratives of calming the sea). These images reflected the ultimate triumph of resurrection, unlike the imperial ruler or the crucifix. We not only depict Jesus in the ways we understand the church in our day, but we depict him in the place that most reflects our imagination of the salvation event itself.
In their new book, Prodigal Christianity: 10 Signposts into the Missional Frontier, Geoff Holsclaw and David Fitch, follow this pattern of presenting Jesus and our soteriological imagination within the context of the North American church. It is no surprise that American Christianity is losing its footing as the defining religion of the culture. Survey after survey, performed by the likes of the Pew Forum and even the Barna group, are showing just how far Christianity has moved from the center of American society to the edges. More and more people are self-reporting that they have no religious affiliation or consider themselves “Spiritual but not Religious.”
There are often two ways of responding to this cultural shift. First, the church can work to exercise its cultural privileged and claw its way back into influence. The other, is to celebrate this shift and view it as an opportunity to explore faithfulness in new terms. Fitch and Holsclaw follow the trajectory of the latter.
While it is true that this new Post-Christendom culture has yet to reach the whole of American culture (see my conversation with Isaac Villegas), it is clear that the new day offers us much to consider as followers of Christ. Rather than try to reclaim the place of Christ as emperor (or even president) Fitch and Holsclaw present God as the one who bows, reaches out, even kneels into world, and enters as the prodigal one who ventures into the far country.
There are those in the publishing world who have tried to rethink christianity and define what a “New Kind of Christianity” is to look like today. Often, in this mode, these writers venture to deconstruct doctrines of the tradition and present new emerging ideas. Still others, venture to reclaim more radical teachings of the church, in effect elevating the Evangelical roots to dogma. Thankfully, Fitch and Holsclaw take the more Anabaptist rode. It is not the reconsidering of doctrine or the entrenchment of dogma that is required today, but the exploring of how the church itself needs to more closely reflect the nature of God. Like the early Anabaptists, rethinking the Trinity or Grace does nothing. Rather, reassessing the role of the church in world that offers us new ground to cover as disciples.
In reflecting Jesus- the God who kneels- the church is more like itself when we take root in nitty gritty of the day to day. Instead of trying to leverage our influence (by numbers or by wealth) the question presented in Prodigal Christianity is simple- How can we more fully embody the Christ who lived, ate, breathed, died, and rose again in the world. Real people, real needs, and actual neighborhoods are then the context in which the church can more fully live into its name- the Body of Christ.
Fitch and Holsclaw offer us a breath of fresh air in this new day of Post-Christendom. While we spin our wheels in trying to prop up the church as we have received it in the heights of American cultural Christendom, they offer us a new vision of faithfulness- of being willing to follow the prodigal God into the far country, of letting go of our desires for privilege and power, and seeking to embody more fully the redemption we proclaim.
Maybe it is time to paint some new pictures of Jesus. Maybe it is time for the church to take the mosaics off the wall and be like Christ, “who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness.” (Philippians 2:6-7)